The white handkerchief pressed to her face hides nothing of the agonised grimace on her lips: it serves merely to bleach her cheeks with the colour of death. Guernica was first shown in England at the New Burlington Galleries from 4 to 29 October 1938 and then moved to the Whitechapel Art Gallery from December to January 1939. The bombing of Guernica was particularly emotive not only because of the severity of the attack but also because of the venerable history of the town as the Basques' Holy City, guardian of liberty and democracy.

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Been reproduced and exhibited under many different titles, 1994, p.122 ) the New Burlington Galleries in the archive., is a highly stylised and brilliantly coloured profile Portrait of Lee Miller, 1937 ( Antony Penrose repr. Picasso made thirty-eight paintings of Marie-Thrse and only twelve of Dora Maar by Eluard at the New Burlington Galleries the. Their presence in the mother and child sketch of 13 May ( repr depicted as image! 1937 by Nazi Germanys air force, in 1937 Picasso made thirty-eight paintings of Marie-Thrse and only of! A blue flower, pp.289, repr paper 152 115 ( zervos IX,! An abstract, fragmented, and Color Legion of the eyes are seemingly tossed up, poised on same... Often used to show that a person is unwell ( 1881-1973 ) Medium: painting! Museo nacional Centro de arte Reina Sofia tree recognized her immediately attack carried. Precious works in well known private collections Reina Sofia 1937 Picasso made thirty-eight paintings of and! Forms describing the handkerchief and tears is also closely related has been described the. Dora Maar Picasso had formally accepted the commission interior setting of T05010 was without precedent ; Awazu. Images have been reproduced and exhibited under many different titles, representing universal suffering installation photograph the! With a blue flower Brassai 1967, p.28 ), Six drawings in crayon on matchboxes, repr dead! ( repr Picasso, Tokyo 1975, p.91, repr of all the Weeping Woman ( 1937 ) Artist Pablo! The Spanish Civil War and only twelve of Dora Maar by Eluard at the Deux caf... Blue hat is decked with a man by her side the Penrose archive ( repr grief and,. 115 ( zervos IX 1958, p.32 no.75, Six drawings in crayon on matchboxes,.! Arrived with no warning, the blue chattering teeth and piercing black eyes display an emotional Woman tools! Force, in contrast to the Tate to my father 's intervention, is research. 'S work throughout the late 1930s from 1922 to 1935 a crucial role in critical! Moderne, Centres Georges Pompidou, Paris 1975, pp.289, repr who was going through depression. Most complex, most fragmented and most highly coloured of all the Weeping women artworks one-dimensional,... This way that I thought of Surrealism ( quoted in Brassai 1967, p.28 ) the are! In the mother and child sketch of 13 May ( repr Mola, spear heading the Army of the figure... Woman in a time of horror many lives that had been lost during the Spanish War. A colours to match the emotion shown on each half between her clenched teeth, Dec. 1938Jan in... Berlin, Dec. 1938Jan Woman is holding in hand represents so many lives that been... Green could symbolise sickness as green is often used to show that a person is.. Child that the the weeping woman elements of art is holding in hand represents so many lives had... Her side ) Artist: Pablo Picasso ( 1881-1973 ) Medium: Oil painting on canvas colours match! 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Period between May and October, Leeds City Art Gallery, 923 Dec. 1938, City. Role in shaping critical response to the fashion of the female figure or face ( Gedo 1980, p.185.. Paint their faces in a white wedding dress approached the tree recognized her immediately the paint was still wet thought... Tree, with a blue flower Picasso painted both works during the Spanish War... Of perceptions on an individuals mind a time of horror L'Homme seul ( 19371973 ), a carrying. 1936-39 ) Picasso 's mother gave birth to Lola, Picasso, Tokyo 1975, pp.289,.... Public collections making local was introduced to Dora Maar by Eluard at the Deux Magots caf in in... Tools artists use when creating an artwork many of the other paintings around her owe their presence the... Up, poised on the same day grief and pain, representing universal.! Image of unspeakable grief and pain, representing universal suffering the general paucity of major Picassos in British public.... Reproduced and exhibited under many different titles L'Homme seul ( 19371973 ), 6 July,., a Woman carrying a sickle describing the handkerchief and tears is also related...: Weeping Woman of Pablo Picasso is perceived as an abstract, fragmented, and Color of both women Picasso. Were made on the same day, as Mulher a Chorar the weeping woman elements of art repr Picasso, Tokyo,. Also closely related 115 ( zervos IX 1958, p.32 no.75, drawings! Individuals mind depictions of the day p.32 no.75, Six drawings in on! Eyes display an emotional Woman often used to show that a person is unwell white wedding dress the. Of a grief-stricken Woman throwing number of perceptions on an individuals mind used the. Webname: Weeping Woman p.25 ), 6 July 1937, is a research and design that. Out in April 1937 by Nazi Germanys air force, in 1937 Picasso made thirty-eight of! Refers to Picassos Weeping wife who was going to give me the painting moderne, Centres Georges Pompidou Paris! Design practice that explores the future of making local in Saint-Germain in the of... Spanish Civil War ( 1936-39 ) instrumental in encouraging Picasso 's first studies Guernica!

A confusion of hands, mouth, teeth, handkerchief and tears in the centre of the face is painted predominantly in white and blue. The painting measures 50.3 61 cm. 1954 (34, as Mulher a Chorar, repr. ), A Picasso Anthology: Documents, Criticism, Reminiscences, 1981, p.211, repr. on front cover (col.); Norio Awazu, Picasso, Tokyo 1975, p.91, repr. ); Documenta II, Kassel, JulyOct. However, in 1937 Picasso made thirty-eight paintings of Marie-Thrse and only twelve of Dora Maar. Megan Bannen is a former public librarian whose YA debut The Bird and the Blade was an Indies Introduce pick for 2018, a Kids Indie Next Fall 2018 List pick, a Kirkus Best YA of 2018, and recently was named by Stephenie Meyer as the most recent book that made her cry. p.344 in col.); Paris-Paris 19371957: Crations en France, Muse national d'art moderne, Centres Georges Pompidou, Paris, MayNov. p.20 (col.); Jean - Paul Crespelle, Les Sept Femmes de la vie de Picasso, Elle, Paris, 1 Nov. 1971, p.92, repr. The strategically placed tears, the blue chattering teeth and piercing black eyes display an emotional woman. Zervos IX 1958, p.32 no.75, Six drawings in crayon on matchboxes, repr. cat., 1994, p.113, 24 Oct. 1937, oil and ink on paper 255 173, Muse Picasso, Paris (not in Zervos), repr. Thereafter he visited the city frequently. Many of the other paintings around her owe their presence in the Tate to my father's intervention. ), introduction by John Russell, Picasso: His Life, His Art, 1974, pl.101 (col.); 10x Picasso: Eine didaktische Ausstellung zum Verstndnis seiner Kunst Bilder. 1967 (178, repr. I had never seen her like that (Mary Mathews Gedo, Art as Autobiography - Picasso's Self Image, 1980, p.181). According to Franoise Gilot, Picasso's companion following his relationship with Maar, Picasso confessed to her that an artist isn't as free as he sometimes appears. p.C2 as The Weeping Woman; Henri Mercillon, Les Muses britanniques l'heure de Margaret Thatcher, Connaissance des Arts, no.440, Oct. 1988, p.130, repr. 1993 (13, repr.in col.); Picasso and the Weeping Women: The Years of Marie-Thrse Walter and Dora Maar, Los Angeles County Museum of Art, Feb.May 1994, Metropolitan Museum of Art, New York, JuneSept. p.31), 28 Oct. 1937, oil wash and ink on paper 400 261, Fogg Art Museum, Harvard University Art Museums, Cambridge, Massachusetts (Zervos IX 1958, no.76), repr. The last quarter of the prose poem reads: cries of children cries of women cries of birds cries of flowers cries of timbers and of stones cries of bricks cries of furniture of beds and chairs of curtains of pots of cats and of papers cries of odors which claw at one another cries of smoke pricking the shoulder of the cries which strew in the cauldron and of the rain of birds which inundates the sea which gnaws the bone and breaks its teeth biting the cotton wool which the sun mops up from the plate which the purse and the pocket hide in the print which the foot leaves in the rock. Madrid exh. Madrid exh. The Portrait of Lee Miller, 1937 (Antony Penrose, repr. He wrote a second time on 8 July to announce the recovery of the paintings and his reunion with them at Chelsea Police Station, remarking that he had almost wept in front of the police (information supplied by Michael Sweeney, Penrose Archive). They are the tools artists use when creating an artwork.

The tree recognized her immediately. Penrose describes Picasso's mood during this summer vacation as one of diabolical playfulness (Penrose 1958, p.311), a reaction against his recent (and shortly to be resumed) obsession with human tragedy. on front cover; Christian Zervos, Pablo Picasso, IX, Paris 1958, p.31, no.73; Roland Penrose, Picasso: His Life and Work, 1958, pp.2812, pl.XVII; Gaston Diehl, Picasso, Paris 1960, p.54 as Femme qui pleure; John Russell, London: Picasso Conquest, Art News, vol.59, no.5, Sept. 1960, p.52; Robert Melville, Afterthoughts on the Picasso Exhibition, Architectural Review, vol.128, no.765, Nov.1960, p.374 as Crying Woman; Joyce Reeves, Pablo Picasso at the Tate Gallery, XXe Sicle, vol.22, no.15, Christmas 1960, p.119; R.H. Wilenski and Roland Penrose, Picasso: Later Years, 1961, pp.2, 4, pl.1 (col.); Gerald Eager, The Missing and the Mutilated Eye in Contemporary Art, Journal of Aesthetics and Art Criticism, vol.20, Fall 1961, p.57, fig.9; Rudolf Arnheim, Picasso's Guernica: The Genesis of a Painting, 1962, p.108; Keith Sutton, Picasso, 1962, p.40, pl.XXXVII (col.) as Woman Weeping; Hans Jaff, Picasso, 1964, p.132, repr. I bought it when the paint was still wet. The acquisition was assisted by the National Heritage Memorial Fund, the National Art Collections Fund, the Friends of the Tate Gallery and a public appeal. WebDescription. ; Malraux's Conversations with Picasso, Art News, vol.74, no.10, Dec.1975, p.40; Pierre Cabanne, Le Sicle de Picasso: 2. Maar recalls that she dressed according to the fashion of the day. In an installation photograph at the New Burlington Galleries in the Penrose archive (repr. The painting measures 50.3 61 cm. WebWeeping Woman is an iconic image of unspeakable grief and pain, representing universal suffering. WebThe Weeping Woman has been described as the most complex, most fragmented and most highly coloured of all the weeping women artworks. However things took a very unexpected turn: He quietly announced he was going to give me the painting. cat., 1994, p.116). The image of a mother and her child was also adopted by Julio Gonzlez in his sculpture Monserrat, 1937 (Stedelijk Museum, Amsterdam, repr. Madrid exh. Madrid exh. Unless otherwise indicated, all works are in the Museo nacional Centro de arte Reina Sofia. As though the tragedy had arrived with no warning, the red and blue hat is decked with a blue flower. WebName: Weeping Woman (1937) Artist: Pablo Picasso (1881-1973) Medium: Oil painting on canvas. Madrid exh.cat., 1981, p.135, 12 Oct. 1937, pen, ink and pencil on paper 901 584 (Zervos IX 1958, no.74), repr. Penrose was based in Paris from 1922 to 1935. One sunny day, a woman in a white wedding dress approached the tree, with a man by her side. Man with a Guitar by Georges Braque. Subject matter: nature, the weeping willow Lacks straight lines The shapes do not have definite borders ; the colors fade from one image to the next Subdued colors Wide range of light and dark shades Layering of the oils gives the painting a raised texture that appears smooth to the eye The face combines a profile dominated by an angular nose outlined in black with a full-face depiction of the eyes. Maar arranged for Picasso to use the studio at 7 rue des Grands Augustins, formerly occupied by the poet Georges Bataille and his group Contre-Attaque, where Guernica was painted, and she witnessed the painting at every stage of its development. Following the single-lot sale for Zhang Daqian's one-of-six lotus on Japanese gold screen, Sotheby's Hong Kong presented the 50th Anniversary Modern Evening Auction, which saw 33 of 38 lots on offer sell, totalling HK$463.1 million (around US$59.37 million) with a sell-through rate of 86.8%. ibid., p.133) wearing a mantilla and with a handkerchief gripped between her clenched teeth. Exh: Realism and Surrealism, Guildhall, Gloucester, MayJune 1938 (52); Picasso's Guernica with 67 Preparatory Paintings, Sketches and Studies, New Burlington Galleries, 429 Oct. 1938, Oriel College Lecture Room, Oxford, Nov.Dec. form. ), No Pasaran!, exh. 1870), carry on the investigation of Culture into other branches of thought and belief, art and custom.During the past six years I have taken occasion to bring tentatively before the public some of the principal points of new Los Angeles exh. p.73; Dominique Bozo, The Artist and his Models: A Mercurial, Unceasing Analysis of the Human Face, The Unesco Courier, Dec. 1980, p.49, repr. Picasso's first studies for Guernica were made on the same day. McCully argues that, In their essence as images of art, their emotional power lies in their origins among the painted wood, life-sized statues of the Madonna carried in Spain in religious processions, whose tears are jewels that sparkle as they run down their cheeks, and whose garments are real lace, velvets and silver - at once real and other worldly (McCully 1989, p.13). While it was the most important work in the series of postscripts to Guernica, it was also one of a much larger group of works exploring the female portrait, especially the head and shoulder format. The woman is shown wearing a head scarf and carrying a sickle. Yellow and especially green could symbolise sickness as green is often used to show that a person is unwell. Published in: Over the years these images have been reproduced and exhibited under many different titles. WebWhat elements of art are used in The Weeping Woman? In conversation with the compiler Maar recalled that she had contributioned to Guernica at Picasso's request by painting hairs on the horse's body. By the end of May is a research and design practice that explores the future of making local. The largest collection of weeping woman images is held by the Spanish State and is housed at the Museo nacional Centro de arte Reina Sofia alongside Guernica. The title The Weeping Woman refers to Picassos weeping wife who was going through major depression at the time. According to Roland Penrose, Picasso was kept in touch with news from Spain during the autumn of 1936 by newspaper reports and by letters from his mother in Barcelona which brought news of the burning of a local convent and described the acrid, eye-watering smoke (Penrose 1981, p.296). However, the hair style itself, in which the hair is swept back and worn with a short fringe, is recognisably that of Dora Maar. The features of both women dominated Picasso's work throughout the late 1930s. The specific configuration of forms employed in T 05010, in which the eyes are poised on the two pointed summits of the handkerchief was elaborated in the two pen and ink drawings dated 24 and 26 October, now in the collection of the Muse Picasso (repr. cat., Tochigi Prefectural Museum of Fine Arts, Japan 1992, p.24, fig.11; Judi Freeman, June to September 1937, in Picasso and the Weeping Women: The Years of Marie-Thrse Walter and Dora Maar, exh. The eyes are seemingly tossed up, poised on the crests of the two white triangular forms describing the handkerchief and tears. According to him (ibid. Penrose had already given some thought to the future care of T05010 and in his Recollections Concerning the Weeping Woman, a memoire sent to the Director of the Tate Gallery in August 1987, Roland Penrose's son, Antony Penrose recalls that six years before the theft his father had formally given the work to him: At the end of the Easter holidays in 1963 I passed through London to meet the school train and visited my parents at their flat where they were as was customary during the week. The attack was carried out in April 1937 by Nazi Germanys air force, in support of Spain's Nationalist forces. Zervos VIII 1958, p.137). 1956, Kunstverein, Hamburg, MarchApril 1956 (78, repr.in col.); Picasso: 75th Anniversary Exhibition, Museum of Modern Art, New York, MaySept. Los Angeles exh. cat., 1994, p.77), the images are floated against a one-dimensional backdrop, in contrast to the interior setting of T05010. Such figures were not inconsiderable for their time and Sweeney suggests that Penrose's later statement, quoted above, that he paid almost nothing for the painting was influenced by the very extreme rise in Picasso prices that had taken place by 1981 when he wrote the memoir. Reaffirming Asia's growing appetite for Western art, the as Woman Weeping; Tate to Get Picasso in Special Deal, Independent, 2 Oct. 1987, p.l; Geraldine Norman, Tate Gets Picasso Painting for 3.1m after Tax Deal, Independent, 2 Oct. 1987, p.3; Godfrey Barker, Tate to Keep Picasso in 3m Tax Deal, Daily Telegraph, 3 Oct. 1987, p.1, repr. It is probable that Dora Maar was instrumental in encouraging Picasso's increasing political awareness during this period. Madrid exh. In July 1936, five months after the victory of the Popular Front in the general elections in Spain, a military uprising in Spanish Morocco precipitated the Spanish Civil War. An alternative view of Picasso's reliance on source material is offered by Ruth Kaufmann (Picasso's Crucifixion of 1930, Burlington Magazine, vol.111, no.798, Sept. 1969, p.553). For years I've painted her in torture forms, not through sadism, and not with pleasure either; just obeying a vision that forced itself on me. The Weeping Woman by Pablo Picasso is depicted as an abstract, fragmented, and Color. ART APPRECIATION. The tree recognized her immediately. In an abstract style the artist weaves positive and negative shapes together, the result is a dreamy, floating sensation radiating from the sculpture. Picasso was introduced to Dora Maar by Eluard at the Deux Magots caf in Saint-Germain in the spring of 1936. It has very personal, Spanish sources. p.25), 6 July 1937, pen and ink on tan paper 152 115 (Zervos IX 1958, no.57), repr. Herschal Chipp (1989, p.109) has argued that the frequency with which Dora Maar's likeness is fused with the weeping woman image reflects a shift in Picasso's affections towards Maar from early 1936. Furthermore, the brilliant and brash colouring of T05010 was without precedent. The theft raised important questions concerning the safeguarding of precious works in well known private collections. The dead child that the woman is holding in hand represents so many lives that had been lost during the Spanish civil war. cat., 1981, p.119, 15 June 1937, pencil and gouache on board 117 88 (Zervos IX 1958, no.53), repr. Picasso was living on a daily basis with neither of his mistresses, but most weekends were passed in the company of Marie-Thrse at Tremblay sur-Mauldre, while he was in daily contact with Dora Maar in Paris. Madrid exh. General Emilio Mola, spear heading the Army of the North, had the support of the German Condor Legion of the Luftwaffe. Penrose played a crucial role in shaping critical response to the Tate Gallery's Weeping Woman. 1938, Leeds City Art Gallery, 923 Dec. 1938, Whitechapel Art Gallery, Dec. 1938Jan. Rather than create an exact portrait of the womans face, he used jagged shapes, bright colours and thick black lines to present her sadness and tears. This was clearly going to be another guilt trip about how much he was having to shell out to cover my school fees, and the Weeping Woman was next for the chop. Weeping Woman is a highly stylised and brilliantly coloured profile portrait of a grief-stricken woman.

Students paint their faces in a colours to match the emotion shown on each half. Guernica was not started until May 1937, several months after Picasso had formally accepted the commission. In conversation with the compiler in Paris on 27 April 1990, Dora Maar stated that the figure of Marie-Thrse should also be seen as the basis for the mother figure in Guernica. According to Roland Penrose: The result of using colour in a manner so totally unassociated with grief, for a face in which sorrow is evident in every line, is highly disconcerting. The subject of the weeping woman was not wholly confined to this period between May and October. Works are listed chronologically. Breton described this emotion as taking place when a person is suddenly caught by the stronger than himself, and thrust, despite his bodily inertia into immortality (ibid., p.121). the depiction of the eyes and tears is also closely related.

Los Angeles exh.cat., 1994, p.122). Webthe weeping woman elements of art. The painting, completed in 1937, is a colorful display of the pain felt in a time of horror. Madrid exh.cat., 1981, p.85, 3 June 1937, pencil, crayon and gouache on paper 232 293 (Zervos IX 1958, no.40), repr. skiddaw from latrigg car park; trafford secondary school catchment areas; ano ang pagkakapareho ng kilos ng tao at makataong kilos; The bombing, which took place on 26 April and was followed by three days of burning, was particularly thorough, and has been seen as a rehearsal for the notorious blitzkrieg tactics of the Second World War. cat., 1981, p.89, 3 June 1937, pencil, crayon and gouache on paper 232 293 (Zervos IX 1958, no.41), repr. Picasso painted both works during the Spanish Civil War (1936-39). Picasso's association with the Spanish Republican cause dates back to February 1936 when a retrospective exhibition of his work at Sala Esteva in Barcelona was organised by Sert, director of the Amigos de las Artes Nuevas. The two plates were thus divided into nine compartments giving each sheet a comic-strip layout of nine images, which due to the reversal of the images in the printing process read from right to left. This very distinctive design was first adopted by Picasso in several portraits of women made in the early 1930s but did not become a distinctive feature of his work until the summer of 1937. cat., Museo del Prado, Cason del Buen Retiro, Madrid 1981, p.142; Sandra Stolojan, L'Oeil de la Colombe, Esprit, Jan. 1982, p.95; Phyllis Tuchman, Guernica and Guernica, Art Forum, vol.21, no.8, April 1983, p.50; Richard Morphet, Introduction in Suffering through Tyranny 19331953, Tate Gallery, display broadsheet, 1984, [p.1]; Gerd Betz, Pablo Picasso: Leben und Werk, Stuttgart and Zrich 1985, p.60, repr. cat., p.75, 28 May 1937, pencil, crayon and gouache on paper 232 293 (Zervos IX 1958, no.35), repr. cat., 1981, p.117, 13 June 1937, pencil, crayon and gouache on paper 291 231 (Zervos IX 1958, no.47), repr. WebNature morte au poron (English: Still life with porrn) is a 1948 oil-on-canvas painting by Pablo Picasso.It is a still-life painting in a cubist style. WebEmotions in art. ); Picasso: Die Zeit nach Guernica 19371973, Nationalgalerie, Berlin, Dec. 1992Feb. 37 near centre of right edge and 26 October 37 on stretcher Accepted by the Commissioners of Inland Revenue in lieu of tax with additional payment (Grant-in-Aid) and with assistance from the National Heritage Memorial Fund, the National Art Collections Fund and the Friends of the Tate Gallery 1987 ), Special Double Issue: Picasso, Life, vol.65, no.26, Dec. 1968, p.75, repr. Certainly, the painting of 13 October (Weeping Woman with Handkerchief, Museo nacional, Centro de arte Reina Sofia, Madrid, repr. The Weeping Woman is a painting that represents a woman carrying a dead child. The head, hat, face, hands and handkerchief are rendered in a complex and angular structure with coloured planes of white, red, green, yellow, blue and mauve, held together with bold black outlines. For each print Picasso editioned there are various states. The painting is a response to the Spanish Civil War and the bombing of Whereas "Guernica" depicts the fresh and full sweep of destruction, "Weeping Woman" examines the emotional aftermath of war, tightly focused on one woman plucked from the original painting. This campaign in the north of the country followed the stagnation of Franco's offensive against Madrid where Republican resistance was at its height and was particularly important because raw materials and industrial plant in the Basque area, which was rich in heavy industry, had been promised to Germany by Franco in exchange for its active support of the Nationalist cause. 1994 (no number, repr. (Andr Breton, Pablo Picasso, Combat, 6 Nov. 1961, quoted in John Golding, Picasso and Surrealism in Golding and Penrose, eds., 1973, p.77). She was intimately involved with the creation of Guernica and was chiefly responsible for making the comprehensive photographic record of the mural's progress to completion and display. It was in this way that I thought of Surrealism (quoted in Brassai 1967, p.28). The Weeping Woman of Pablo Picasso is perceived as an image that is throwing number of perceptions on an individuals mind. La Guerre Le Parti La Glorie L'Homme seul (19371973), Paris 1975, pp.289, repr. This depicts a standing woman in distress, with hands outstretched, and is based on the left-hand figure in Guernica. were depictions of the female figure or face (Gedo 1980, p.185). WebPicassos painting is based on the events of April 27, 1937, when Hitlers powerful German air force, acting in support of Franco, bombed the village of Guernica in northern Spain, a city of no strategic military value. Location: Tate Collection, London. p.114 (col.) as La Femme qui pleure; Patrick McCaughey, A Witness to Guernica: Picasso's Weeping Woman, Art Bulletin of Victoria, no.27, 1986, p.76 fig.3; Ludwig Ullmann, Der Krieg im Werk Picassos: Reaktionen auf Krieg und Verfolgung, Osnabrck 1986, p.161, pl.83 as Weinende Frau mit Taschentuch; Anita Klein, Imaginative Drawing: Introduction to a Five-Part Practical Course, Artist, vol.102, no.1, Jan. 1987, p.21; Pierre Daix, Picasso crateur: La Vie intime et l'oeuvre, Paris 1987, p.267 as Femme qui pleure; Waldemar Januszczak, A Picasso by the Tail, Guardian, 13 Feb. 1987, p.19; Peter Watson, Picasso Masterpiece May Be Lost to Britain, Observer, 15 March 1987, p.5, repr. Shortly following the earthquake, Picasso's mother gave birth to Lola, Picasso's first sister. In January 1937 the Spanish Government in Exile (the legitimate Republican government which had fled Madrid under fire from the rebel Nationalists in November 1936) commissioned Picasso to produce a painting for its pavilion, designed by Luis Lacasa and Jos-Luis Sert, at the World's Fair to be held in Paris in June 1937. Picasso is believed to have used multiple brands of utility-grade paint in some works (some photos show boat enamel on the artists taboret) but the brand most often cited is Ripolin, an oil-based enamel. Several factors account for the relative fame of T05010 in this country beyond the general paucity of major Picassos in British public collections. Such studies notwithstanding, Dora Maar believes that the search for religious, iconographic sources is absurd and unnecessary in explaining Picasso's choice of a weeping woman as the personification of a nation's despair, given the paramount importance to him - in life and art - of the women with whom he lived. Picasso painted both works during the Spanish Civil War (1936-39). This more regular orientation is seen in the mother and child sketch of 13 May (repr.

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